How To Flatten A Mountain
23 April–4 May 2018
How to Flatten a Mountain is an exciting 12 days residency opportunity presented by PhotoIreland Foundation & Cow House Studios, and with the support of OPW, open to emerging and mid-career visual artists whose artistic practice in whole or part, makes use of digital and/or analogue photographic processes.
The colophon of the residency is an exhibition of the works produced, presented during the PhotoIreland Festival at Rathfarnham Castle.
Participants in 2018
The 12 artists that will participate in How to Flatten a Mountain in 2018 are:
Rose Bennett, Donna Cooper Hurt, Sarah Flynn, Ana Gómez de León, Shaney Marie Herrmann, Katinka Igelberg, Daniel Orlando Lara Garcia, Nancy Libson, Sarah Pannell, Leah Raintree, Molly Ruoho, and Sofia Seguro.
HTFAM IS A UNIQUE EXPERIENCE
The aim of this residency is for participating artists to explore possibilities outside their core practice, work collaboratively and produce a cohesive exhibition of work to be presented at PhotoIreland Festival 2018. During the residency, participants will take an active part in a series of workshops led by guest facilitators and as a group will be sharing ideas, making work, processing, printing, editing, as needed, always working in collaboration. As an integral part of the residency, three artists based in Ireland will facilitate day-long workshops to provoke and animate different avenues for thought. Each facilitator brings to the residency new perspectives, challenges and opportunities for participants.
This twelve-day programme is comprised of three component parts; workshop facilitation, open studio time and the installation and opening of an exhibition in Dublin for PhotoIreland Festival 2018. The first five days of the programme will be comprised of a carefully selected series of workshops, readings and presentations designed to stimulate the creative process, facilitate collaboration, familiarise participants with the people and places of the locality and tease out shared curiosities and thematics. The following five days provide the necessary time and space to create new work. Following on from our initial workshops, the open studio time allows for participants to re-visit sites of interest, research, print and finalise work for presentation. The final two days will be spent in Dublin installing the exhibition, culminating in an opening on the final evening of the programme.
This residency opportunity is sure to result in the production of new work, introduce participants to a network of practitioners from a diversity of locations, provide a fantastic exhibition opportunity and open up new possibilities within each participant practice.
The residency project will take place at the fabulous Cow House Studios, Enniscorthy, County Wexford, Ireland. Open to local and international participants, the cost of the 12 days residency is €950 and it includes:
- Three delicious and healthy meals daily while at Cow House Studios
- Lunch and dinner while in Dublin
- Most comfy accommodation while at Cow House Studios*
- Informative and challenging readings, workshops and presentations
- Travel to and from Dublin
- Ink and paper for our printers, film and b&w paper for darkroom
- Access to all Cow House Studios facilities, computers, darkroom, and studios
- *Price does not include room and board while in Dublin. For a fee, we will arrange accommodation for two nights at the end of the residency for the duration of the install. Note that flights and airport transport are not covered.
Frank Abruzzese’s working methods are experimental and process driven. He is drawn to subjects that are both familiar and often overlooked, and uses photographic techniques to transform the mundane into something extraordinary or ambiguous. He investigates how subjects might collide with traditional interpretations of the landscape, architecture or portraiture, and how these expectations can be met through alternative means. His use film selection, exposure and digital techniques make small incursions into perceptions of photography’s assumed role as factual document.